Tag: reference recording

Yuko Mabuchi Trio Vol. 1 Yarlung Records 45 RPM Vinyl

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“The Real Deal!” Anthony Kershaw reviews Yuko Mabuchi Trio Vol 1, 180 Gram pressing, 45RPM Diane and Craig Martin, executive producers (Randy Bellous, executive producer for CD) “Mabuchi is a jazz pianist blessed with taste, a gorgeous piano tone… superb improvisational skills and can swing. Unless we’re talking about the greats, many jazz pianists today may possess two or even three of those talents, but Mabuchi has all four. “The recording by Yarlung is an audiophile’s wet dream.” This was a very fortuitous vinyl find during a typical internet search of interesting LPs via Amazon, Discogs, eBay, you know, a basic Saturday morning record search. What’s good out there? What can I afford this weekend? … The 45 RPM mastering on this release was by Bernie Grundmann. So, the gold standard for an all-analogue LP. Japanese jazz pianist Yuko Mabuchi began playing piano at the age of 4. She was Continue Reading →

Symmetria Pario: Creation “My immediate reaction was to stand and cheer”

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When you take contemporary compositions from nine different composers (six of which were commissioned for your recital), and you add the brilliant artistry of Pekka Kuusisto and Joonas Ahonen, and you record it in a world class, acoustically magnificent music hall using some of the best microphones and recording equipment available, and you then mix it all together with the musical sensibilities of recording engineer and producer Bob Attiyeh… YOU GET MAGIC! After listening through this album for the first time, my immediate reaction was to stand and cheer.  Bob Attiyeh had told me that he thought this might be the best sounding recording Yarlung has yet released. I thought to myself, “Naw…, this is just your most recent child and you love it because of that.” But no. Bob is right. Sonically, this album is a masterpiece. Musically it is equally compelling.  Executive producer Russell Ward generously underwrote six Continue Reading →

“The more I listen to this album, the more I enjoy it. It becomes addictive.” Aditya Prakash: Karnatik Roots

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When Bob Attiyeh of Yarlung Records announces a new release, I come running. And I am never disappointed. The artists, the music and the performances are always a treat that I find myself wanting to hear again and again. I don’t know how Bob does this with such consistency over the many years I’ve listened to his recordings. He and his network of music appreciating supporters are just a marvel of artist discovery. And, as good as the performers and music always are in these Yarlung releases, it is the exceptional sound quality of the recordings that brings me back. The sound quality is always at the top of the world. Bob’s commitment to making fully natural acoustic recordings, using the best equipment and a minimal numbers microphones, in venues with beautiful acoustics, like the wonderful Samueli Theater at Segerstrom Center for the Arts in Costa Mesa where this music Continue Reading →

“I have not ever heard, in my lifetime, a better solo violin LP…”

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Bob Levi responds to Petteri Iivonen’s vinyl release of J. S. Bach’s Partita No. 2 in D Minor AKG C-24 Stereo Tube Microphone, No mixer, direct from the microphone amplifier to the Tape Deck using the shortest possible length of custom wire. Agfa Formula 468 Tape…. One has to understand that Yarlung Records is a non-profit organization and releases its amazing productions when financially feasible. This performance was included in a CD compilation of Petteri Iivonen’s work titled Art of the Violin, Yarlung Records 05787, in 2008, to rave reviews. Being a CD with its limitations, I did not realize the overall importance of this recording. The performance was both exciting and nuanced but not what you would expect from analog’s ability to make the violin come alive in the room. Now we have the BOMB! I talked with Bob Attiyeh the other day, and he mentioned that Elliot Midwood, Partita‘s executive Continue Reading →

Recorded in the Purest Possible Way, Yarlung’s “Women and War and Peace”

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[Women and War and Peace] is a musical wonder. It is a journey through time for female composers, some recognized in their day, others not. The pieces are approachable and melodic…. The Pianist: Katelyn Bouska, is extremely talented and plays with superb sophistication. With so many styles among the composers, she interprets each with an originality that is very special. I wish she was touring in America. What a magnificent pianist! Women of War and Peace is recorded in the purest possible way, sparing no expense. For a CD on a revealing system, the piano is in the room. This is very near the master tape sound with analog overtones. Textural cues are wonderful and rich. The piano image is solid and alive and exhibits no compression whatsoever. There is just enough ambiance and space to indicate a hall, with no sweetening. This is a reference piano recording of the first Continue Reading →