Category: CD

Yuko Mabuchi Trio Vol. 1 Yarlung Records 45 RPM Vinyl

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“The Real Deal!” Anthony Kershaw reviews Yuko Mabuchi Trio Vol 1, 180 Gram pressing, 45RPM Diane and Craig Martin, executive producers (Randy Bellous, executive producer for CD) “Mabuchi is a jazz pianist blessed with taste, a gorgeous piano tone… superb improvisational skills and can swing. Unless we’re talking about the greats, many jazz pianists today may possess two or even three of those talents, but Mabuchi has all four. “The recording by Yarlung is an audiophile’s wet dream.” This was a very fortuitous vinyl find during a typical internet search of interesting LPs via Amazon, Discogs, eBay, you know, a basic Saturday morning record search. What’s good out there? What can I afford this weekend? … The 45 RPM mastering on this release was by Bernie Grundmann. So, the gold standard for an all-analogue LP. Japanese jazz pianist Yuko Mabuchi began playing piano at the age of 4. She was Continue Reading →

Karina Karina Cannelakis conducts Bartók’s Concerto for Orchestra on Pentatone

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Bartok’s “Concerto for Orchestra” has long been one of my favorite symphonic compositions. I like the music, the story behind the commission, and the many extraordinary recordings available of this remarkable work. Live performances that stick happily in my memory include several with Esa-Pekka Salonen and one conducted by Gustavo Dudamel, all with the Los Angeles Philharmonic in Walt Disney Concert Hall. This is an ensemble that prides itself in extraordinary performances of new music. The unique sound of LA Phil strings may have something to do with this well-deserved reputation. I have a personal confession to make. Before Yarlung Records was born, we used to gather with friends to listen to multiple recordings of the same work over long multi-course dinners and sometimes with exotic speakers or amplifiers to share with our friends. We haven’t had time to do this since and I miss these evenings. They enabled us Continue Reading →

Symmetria Pario: Creation “My immediate reaction was to stand and cheer”

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When you take contemporary compositions from nine different composers (six of which were commissioned for your recital), and you add the brilliant artistry of Pekka Kuusisto and Joonas Ahonen, and you record it in a world class, acoustically magnificent music hall using some of the best microphones and recording equipment available, and you then mix it all together with the musical sensibilities of recording engineer and producer Bob Attiyeh… YOU GET MAGIC! After listening through this album for the first time, my immediate reaction was to stand and cheer.  Bob Attiyeh had told me that he thought this might be the best sounding recording Yarlung has yet released. I thought to myself, “Naw…, this is just your most recent child and you love it because of that.” But no. Bob is right. Sonically, this album is a masterpiece. Musically it is equally compelling.  Executive producer Russell Ward generously underwrote six Continue Reading →

Suryodaya: “Magnificent Violin and Tabla interplay”

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In Suryodaya, the late Badal Roy made a triumphant return with his signature Indian drums, having played with legends like Miles Davis and Ornette Coleman. This audiophile recording, made in the iconic Walt Disney Concert Hall in Los Angeles, also features the incomparable Robert Gupta, who demonstrates his mastery of the Nathan Milstein Stradivarius violin from 1716…. Not only is Robert Gupta the youngest member of the Los Angeles Philharmonic, but he is also a Senior TED fellow; the executive director of Street Symphony (which brings music to homeless mentally ill people); and the real-life violin teacher of Nathaniel Ayers, whose story was sensitively portrayed in the major motion picture The Soloist. Suryodaya takes us on a journey through time and across continents, from the opening Indian raga for violin in tabla (Raga Jaunpuri), to Medieval Europe with Biber’s famous Passacaglia, and to John Harbison’s Four Songs of Solitude and the Pereira suite Continue Reading →

“The more I listen to this album, the more I enjoy it. It becomes addictive.” Aditya Prakash: Karnatik Roots

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When Bob Attiyeh of Yarlung Records announces a new release, I come running. And I am never disappointed. The artists, the music and the performances are always a treat that I find myself wanting to hear again and again. I don’t know how Bob does this with such consistency over the many years I’ve listened to his recordings. He and his network of music appreciating supporters are just a marvel of artist discovery. And, as good as the performers and music always are in these Yarlung releases, it is the exceptional sound quality of the recordings that brings me back. The sound quality is always at the top of the world. Bob’s commitment to making fully natural acoustic recordings, using the best equipment and a minimal numbers microphones, in venues with beautiful acoustics, like the wonderful Samueli Theater at Segerstrom Center for the Arts in Costa Mesa where this music Continue Reading →

Recorded in the Purest Possible Way, Yarlung’s “Women and War and Peace”

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[Women and War and Peace] is a musical wonder. It is a journey through time for female composers, some recognized in their day, others not. The pieces are approachable and melodic…. The Pianist: Katelyn Bouska, is extremely talented and plays with superb sophistication. With so many styles among the composers, she interprets each with an originality that is very special. I wish she was touring in America. What a magnificent pianist! Women of War and Peace is recorded in the purest possible way, sparing no expense. For a CD on a revealing system, the piano is in the room. This is very near the master tape sound with analog overtones. Textural cues are wonderful and rich. The piano image is solid and alive and exhibits no compression whatsoever. There is just enough ambiance and space to indicate a hall, with no sweetening. This is a reference piano recording of the first Continue Reading →

A Brilliant Recording by Katelyn Bouska on Yarlung Records

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02-22-2023 | By Rushton Paul | PFO, Issue 125 This is a brilliant new release by pianist Katelyn Bouska, recorded and mastered in Pure DSD256 by Bob Attiyeh of Yarlung Records. But what makes this recording truly special are the musical works selected and the stories of the composers, all women who were at the cutting edge of the contemporary music scenes in their various environments and were refugees, or barely survived, or didn’t survive the environments that made their situations so difficult. Women and War and Peace, Katelyn Bouska, piano. Yarlung Records 2023 (Pure DSD256) HERE [Alternative formats HERE] Print space is always limited, even in an online journal. But when there comes along a release of such exceptional merit, with such an exceptional story to share, and performed and recorded so brilliantly as this, then space must be made and priorities shifted. Not only is Katelyn Bouska, who teaches at the Curtis Continue Reading →

“Sangam” nominated for 2022 ALBUM OF THE YEAR!

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NativeDSD nominates “Sangam” as World Music Album of the Year. Many thanks to Paul Livingstone, sitar and Pete Jacobson, cello for this magnificent performance, and to Yarlung executive producer Arian Jansen for making this possible. Sangam… Confluence: Music from Inside the Heart of The Raga available in multiple formats. Check out Taos Mountain Meditations, also from Paul and Pete (thanks to executive producer Lucile Grieder) as well! Yarlung Records