“fluent and sumptuous” Tarik O’Regan “handles the choir with panache; there seems not an unpolished moment in any of these pieces, and many a ravishing one, as O’Regan is a choral ‘orchestrator…’” “O’Regan creates layers of sound in many of his pieces, different strata that unfurl simultaneously but that remain distinct. His “Ecstasies Above,” based on Poe’s poem and the longest piece in the collection, is written for two solo vocal quartets, chorus and string quartet, and gives him many opportunities for spatial effects.” “Perhaps the “Magnificat & Nunc Dimittis” shows off O’Regan’s chops mostly blatantly — combining canons, minimalism, plainchant, a vocal quartet, full choir and solo cello in a wonderfully broad sound palette.” “Istad fashions fluent and sumptuous readings, nicely held together over the long haul. Each piece is represented by a single take on the recording, no splices. Minor blemishes are therefore heard here and there, but Continue Reading →