James Matheson’s music in surround sound

Maestro Kal Rubinson enjoys Yarlung’s first project at Segerstrom Center for the Arts, and celebrates James Matheson’s music in surround sound.  “Stereophile,” March 7, 2016 [Yarlung Surround Sound engineer Tom Caulfield shared early files with me from] …a group comprising musicians of the Chicago Lyric Opera and the Chicago Symphony, for a recording of James Matheson’s String Quartet, to be released this year on Yarlung Records. The opening notes were startling—I had the disturbing but exhilarating feeling that music was actually being made in my room, not merely reproduced. The sound was no more “multichannel” than it was “stereo”—the four players seemed almost within reach, and my room seemed to expand around me…. I kept thinking, If others could only hear this, hi-rez multichannel music would take off. Page 1 of Kal’s article, and Page 2.

Award-Winning Label Achieves State-of-the-Art Sound

Yarlung Recording Session – by Robert Harley Though a small label, Yarlung Records has, since releasing its first album in 2005, made itself noticed in the audiophile community and beyond, appearing on TAS’ newly updated Super LP List and winning a Grammy® award.  So I was excited to have an opportunity to attend a recent Yarlung recording session and witness firsthand the extraordinary engineering behind the company’s releases.  The recording session was more like a concert performance for a small invited group, with movements performed in their entirety rather than stitched together later in the editing room. The recording venue was the sonically and visually gorgeous Samueli Theater, part of the larger Segerstrom Center for the Arts in Costa Mesa, California.  Samueli’s smaller space is ideal for chamber music. The team set up three entirely separate recording chains, each with its own microphones, recorders, and engineers.  The three chains represented Continue Reading →